K.
19d, Sonata for Keyboard Four Hands
This
is a work of debatable authenticity. I
thought about skipping it, but it is the first piece of the keyboard duet
nature. I couldn’t think of another work he may have played with his sister,
Nannerl. Imagine what it would have been like for a young boy to be in constant
proximity to his sister. At that age,
I’ve had numerous scrapes with mine, many of which drew blood. (I’ve got a
scar on my elbow where she wacked me with a curtain rod.) And then, they performed together? I’d have
never been able to do it. The
aggravation and jealousy would be fuel of an interesting historical study. Too
bad the movie Mozart’s Sister failed
miserably at capturing the tension and contrived historical absurdities.
The Allegro first
intensifies its lively spirit, adding moments of drama with slammed
strokes. The second is a menuetto trio,
and carries a hopeful reflection. I’m
still trying to understand the concept of menuetto, and such. From the limited research I have done it
incorporates more complexion than a simple tempo mark. Although, I have a hint of a grasp on the
Minuet form, the rondo eludes me. What
make a rondo a rondo? I looked it up,
and it is still mostly confusing. Note patterns and blah... Blah... Too
bad, because my favorite movement is the rondo of K. 219. And the rondo of K. 19d is the most
moving. The work as a whole seems more
mature to me. Maybe, that may be why
scholars debated whether Mozart composed this work. Plus, add the (I’m guessing) complex
structure of a rondo… However, it still feels like something Mozart could have
written. But, I’m tone-deaf, so how
would I know?
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