K.
19a, Symphony in F Major
19a? a? What’s that about? Turns out, this work was discovered
recently—1980—after the K6 catalogue was created. I am amazed by those guys that discover the
long lost works of ‘whoever.’ Can’t wait
until they find the next peice. So, how
does someone find a lost work? It
takes immense focus. Those scholars have
to know the ins-and-outs of every letter and document with even slight relevance
to Mozart’s life. They learn everyone’s handwriting. If a letter from Mozart to his father
mentions a Symphony that does have a K assignment… Well. Then they start
digging.
How
old was Mozart when he wrote this work?
Again, scholars may disagree. In
the document discovered with the work, Leopold suggested that Mozart was
nine. But, we also know that father lied
about his son's age at times. Whenever we
have to calculate the nature of humans into our theories, it is a bit
problematic. People from the past
lie. Scholars of the present have biases
and agendas. And, everyone wants to come
up with something new. Who's going to read
an article by that historian who simply confirms what everybody knows? (I am certainly not one to talk.)
The
first thing I ask as I listen to the piece, “Was Mozart nine when he wrote
this?” I try to compare it to K.
19. The inconsistencies in the movements’
lengths seem similar. 19a's first movement
is over five minute, while the third is under two. Both 19’s are around 10 minutes. His mature symphonies stretch to nearly ½ an
hour. And, they have similar allegro,
andante, presto setups. 19a starts with
an allegro assai, with a more mature sound and more length than 19. It plays with varied emotions as
well. Based on the allegro movements alone,
one might say 19a comes from an older Mozart.
But 19’s andante is oodles more powerful to me. (Sure, more powerful
does not necessarily equate with more mature.)
In addition, 19’s presto wins.
So, there are differences, but overall they are similar enough, that I
am led to believe the two were written near the same time.
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