The music was beautiful, but it lacked what I
think to be the emotional complexity of the libretto. From what I gathered (kind of
an uneducated guess using Google translate and other tools), the story seems to
be an internal struggle of one coming to fully accept the Christian faith. The voices of faith compete with the blathers
of worldliness. The subject matter is
rife with good emotional material that young Mozart doesn’t fully exploit. He seems primarily concerned with making lovely
music.
As I continue
to watch, I am curious to see where in his operatic history he progresses in
his emotional connection with a work’s themes. What was the one opera that thrust
Mozart into a master? An Opera Game changer. Zaide is the earliest opera I have absorbed,
where he has clearly grasps emotional complexities.
But, even with
this work, there is some deep stuff there. In his own life, which voice won
out? It seemed worldliness had a tight grasp on him. As he struggled, how did
such Christian themes affect him? Were his sacred works, simply a
means to make money, thus feeding worldliness? Were they tightly held virtues,
he didn’t believe he was breaking? Or, did they reflect values he wanted to
adhere to, but couldn’t get himself to act out?
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