K. 32, Gallimathias Musicum
(Quolibet)
I think, not sure yet, but
this is the last work I will dabble in from Mozart’s time at The Hague. For
those who have been wondering, I have been away for so long because a chute
load of changes have flocked my way. We
moved (I’ve mentioned that before). And, we’ve had our third son. Without Internet, try working two jobs,
wrangling three kids under 5 and finding time to work on a blog. Anyway, I don’t have to make excuses. I’m doing this mostly for me.
So on to the Gallimathias
Musicum.
This is a Quolibet, which I
have just learned is a gob of melodies thrown into one work. I guess, it is the classical equivalent of
making an album. Mozart wrote this work
while at The Hague for the installation of Prince Wilhelm, ending it patriotically. It is a collection of 17
Melodies. I thought the best way to tackle
this work is with a short comment on each melody. So here you go (hopefully, I get it right
where each new melody begins):
1. Reminds me of the opening
of Mozart’s Symphony # 29.
2. Spooky tones, with sighs, disappointed when
they realize there is nothing to fear.
3. Triumphant, victory has
come.
4. Epic, very powerful. Has an Irish or Scottish feel. Like something you’d hear from Braveheart.
5. A royal piece.
6. A waltzy kind of piece.
7. More royal declarations.
8. A short sigh break in the
middle of the quolibet.
9. Horns and Oboes find each
other and dance. Violins say, ‘Get it
on.’
10. Spooky melancholy, like
the end is near and a person is ready to give up.
11. Racing frolics, like
that last gallop home after a long days ride.
12. Apprehensive
curiosity. A kitten peeking out from the
hayloft for the first time.
13. Sounds like one of his
earlier harpsichord sonatas. Skipping on
a cloudy day.
14. I know this one. It is definitely a repeat. I like it and will
find out what it reminds me of. But the
mood says, ‘things are tough but they will get better.’
15. This one seems to
suggest things will not get better.
16. Life is happy again.
17. The patriotic
ending. A tribute to his Dutch hosts.
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